Cannes openings are typically a carefully calibrated mix of ceremony and self-congratulation. This year's, by design, was different. Haïdara's address — short, deliberate, political — placed the festival inside the moment rather than apart from it.
The competition slate reflects the same instinct. A heavy presence of work from filmmakers under censorship pressure at home, including new entries from Iran and Russia in absentia, signals where the jury's instincts are pointed.
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